Revolution and Counter- Revolution - The American TFPOriginally published as Revolução e Contra- Revolução, in Catolicismo, April 1. Parts I and II) and January 1. Part III)First Digital Edition. Copyright © 2. 00. The American Society for the Defense of Tradition, Family and Property (TFP). All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage and retrieval system, without prior written permission from The American Society for the Defense of Tradition, Family and Property (TFP). The American Society for the Defense of Tradition, Family and Property is a registered name of The Foundation for a Christian Civilization, Inc. The American Society for the Defense of Tradition, Family and Property (TFP)PO Box 3. Hanover, PA 1. 73. ISBN 1- 8. 77. 90. Library of Congress Catalogue Card No. FOREWORDSince its first publication in the Brazilian cultural journal Catolicismo in 1. Revolution and Counter- Revolution has gone through a number of editions in Portuguese, English, French, Italian, and Spanish. PDF: We made a fancy PDF of this post for printing and offline viewing. Buy it here. (Or see a preview.) Note: The reason this post took three weeks to finish is that.The name of the agency was originally "The All-Russian Emergency Commission for Combating Counter-Revolution and Sabotage" (Russian: Всеросси́йская. Revolution And The Economic Human Rights In Egypt Revolution and the economic human rights in egypt pdf download, revolution and the economic human rights in egypt. BibMe Free Bibliography & Citation Maker - MLA, APA, Chicago, Harvard. FOREWORD. Since its first publication in the Brazilian cultural journal Catolicismo in 1959, Revolution and Counter-Revolution has gone through a number of editions. Our website is the source for the latest security and strategic research from the military's link to the academic community. The Strategic Studies Institute is the. Global Governance 2025: At a Critical Juncture Inquiries regarding this report may be made to Mathew Burrows, Counselor to the National Intelligence Council, on (703. The Russian Revolution of 1905 was a wave of mass political and social unrest that spread through vast areas of the Russian Empire, some of which was directed at the. The present edition is the first to be published digitally in the United States. It includes recent commentaries on Revolution and Counter- Revolution’s third part, which was added by the author in 1. Revolution and Counter- Revolution, the basic book and inspiration of the many autonomous Societies for the Defense of Tradition, Family and Property and like organizations, contains principles of wisdom that can efficaciously stop the disintegration of civilization in the world today. The author of this work is the world- famous Brazilian Catholic philosopher Prof. Plinio Corrêa de Oliveira. Over the years he has written numerous works that have received noteworthy ecclesiastical approbation. For example, in the late 4. Em Defesa da Acão Catolica, denouncing the danger presented by leftists encysted in the Catholic Action movement, prompted a letter of praise from Msgr. Montini, then substitute for the Vatican secretary of state, written on behalf of Pius XII. In another work, The Church and the Communist State: The Impossible Coexistence (1. Catholic could not view the establishment of a communist regime in his country as morally acceptable. The Vatican’s Sacred Congregation of Seminaries and Universities called this work “a most faithful echo of all the Documents of the supreme Magisterium of the Church, including the luminous encyclicals Mater et Magistra of John XXIII and Ecclesiam Suam of Paul VI.”In 1. Nobility and Analogous Traditional Elites in the Allocutions of Pius XII contrasting two models of society. The first model is Christian, founded on the idea that God wills proportional and harmonic inequalities among the social classes, all of whose members are entitled to at least sufficient living conditions. The second model is based on the erroneous idea that all inequality is unjust. The book has been acclaimed in eloquent letters by Silvio Cardinal Oddi, Mario Luigi Cardinal Ciappi, Alfons M. Cardinal Stickler, theologian Fr. Raimondo Spiazzi, Thomist Fr. Victorino Rodriguez y Rodriguez, and canonist Fr. Anastasio Gutierrez. Yet, the most significant of Professor Corrêa de Oliveira’s works is Revolution and Counter- Revolution. Its significance was quickly recognized. Eugene Cardinal Tisserant wrote: “The theme of this study is of the highest importance for the time in which we live… The analysis made by Professor Corrêa de Oliveira is clear, precise and accurate… It will be of interest to a considerable number of our fellow citizens. I congratulate the author of this magnificent work.” Thomas Cardinal Tien, of China, stated: “Those of us who personally suffer from the effects of communism are well able to calculate the accuracy and urgent necessity of such a study.”All the editions of Revolution and Counter- Revolution have concluded with these words: We have not the slightest doubt in our heart about any of the theses that constitute this work. Nevertheless, we subject them all unrestrictedly to the judgment of the Vicar of Christ and are disposed to renounce immediately any one of them if it depart even slightly from the teaching of the Holy Church, our Mother, the Ark of Salvation, and the Gate of Heaven. Over forty years have passed since this statement was first published. In the meantime, Revolution and Counter- Revolution has been spread throughout the world without any of its theses being challenged as contrary to the Church’s Magisterium. This fact corroborates the earlier approbations and testifies to the integrity of this enduring work. To this must be added another fact of enormous gravity. In the third part of the present work, the author states that the main battleground of the struggle between anti- order (the Revolution) and order (the Counter- Revolution) is no longer civil society but the Holy Church herself. The Artificial Intelligence Revolution: Part 1. PDF: We made a fancy PDF of this post for printing and offline viewing. Buy it here. (Or see a preview.)Note: The reason this post took three weeks to finish is that as I dug into research on Artificial Intelligence, I could not believe what I was reading. It hit me pretty quickly that what’s happening in the world of AI is not just an important topic, but by far THE most important topic for our future. So I wanted to learn as much as I could about it, and once I did that, I wanted to make sure I wrote a post that really explained this whole situation and why it matters so much. Not shockingly, that became outrageously long, so I broke it into two parts. This is Part 1—Part 2 is here. We are on the edge of change comparable to the rise of human life on Earth. Vernor Vinge. What does it feel like to stand here? It seems like a pretty intense place to be standing—but then you have to remember something about what it’s like to stand on a time graph: you can’t see what’s to your right. So here’s how it actually feels to stand there: Which probably feels pretty normal…_______________The Far Future—Coming Soon. Imagine taking a time machine back to 1. When you get there, you retrieve a dude, bring him to 2. It’s impossible for us to understand what it would be like for him to see shiny capsules racing by on a highway, talk to people who had been on the other side of the ocean earlier in the day, watch sports that were being played 1,0. This is all before you show him the internet or explain things like the International Space Station, the Large Hadron Collider, nuclear weapons, or general relativity. This experience for him wouldn’t be surprising or shocking or even mind- blowing—those words aren’t big enough. He might actually die. But here’s the interesting thing—if he then went back to 1. And the 1. 50. 0 guy would be shocked by a lot of things—but he wouldn’t die. It would be far less of an insane experience for him, because while 1. The 1. 50. 0 guy would learn some mind- bending shit about space and physics, he’d be impressed with how committed Europe turned out to be with that new imperialism fad, and he’d have to do some major revisions of his world map conception. But watching everyday life go by in 1. No, in order for the 1. BC, before the First Agricultural Revolution gave rise to the first cities and to the concept of civilization. If someone from a purely hunter- gatherer world—from a time when humans were, more or less, just another animal species—saw the vast human empires of 1. And then what if, after dying, he got jealous and wanted to do the same thing. If he went back 1. BC and got a guy and brought him to 1. BC, he’d show the guy everything and the guy would be like, “Okay what’s your point who cares.” For the 1. BC guy to have the same fun, he’d have to go back over 1. In order for someone to be transported into the future and die from the level of shock they’d experience, they have to go enough years ahead that a “die level of progress,” or a Die Progress Unit (DPU) has been achieved. So a DPU took over 1. Agricultural Revolution rate, it only took about 1. The post- Industrial Revolution world has moved so quickly that a 1. DPU to have happened. This pattern—human progress moving quicker and quicker as time goes on—is what futurist Ray Kurzweil calls human history’s Law of Accelerating Returns. This happens because more advanced societies have the ability to progress at a faster rate than less advanced societies—because they’re more advanced. This works on smaller scales too. The movie Back to the Future came out in 1. In the movie, when Michael J. Fox went back to 1. TVs, the prices of soda, the lack of love for shrill electric guitar, and the variation in slang. It was a different world, yes—but if the movie were made today and the past took place in 1. The character would be in a time before personal computers, internet, or cell phones—today’s Marty Mc. Fly, a teenager born in the late 9. Marty Mc. Fly was in 1. This is for the same reason we just discussed—the Law of Accelerating Returns. The average rate of advancement between 1. So—advances are getting bigger and bigger and happening more and more quickly. This suggests some pretty intense things about our future, right? Kurzweil suggests that the progress of the entire 2. He believes another 2. A couple decades later, he believes a 2. All in all, because of the Law of Accelerating Returns, Kurzweil believes that the 2. If Kurzweil and others who agree with him are correct, then we may be as blown away by 2. DPU might only take a couple decades—and the world in 2. This isn’t science fiction. It’s what many scientists smarter and more knowledgeable than you or I firmly believe—and if you look at history, it’s what we should logically predict. So then why, when you hear me say something like “the world 3. Cool…. but nahhhhhhh”?
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He challenged research subjects to connect all nine dots using just four straight lines without lifting their pencils from the page. Today many people are familiar with this puzzle and its solution. In the 1. 97. 0s, however, very few were even aware of its existence, even though it had been around for almost a century. If you have tried solving this puzzle, you can confirm that your first attempts usually involve sketching lines inside the imaginary square. The correct solution, however, requires you to draw lines that extend beyond the area defined by the dots. At the first stages, all the participants in Guilford’s original study censored their own thinking by limiting the possible solutions to those within the imaginary square (even those who eventually solved the puzzle). Even though they weren’t instructed to restrain themselves from considering such a solution, they were unable to “see” the white space beyond the square’s boundaries. Only 2. 0 percent managed to break out of the illusory confinement and continue their lines in the white space surrounding the dots. The symmetry, the beautiful simplicity of the solution, and the fact that 8. Guilford and the readers of his books to leap to the sweeping conclusion that creativity requires you to go outside the box. The idea went viral (via 1. Overnight, it seemed that creativity gurus everywhere were teaching managers how to think outside the box. Management consultants in the 1. Because the solution is, in hindsight, deceptively simple, clients tended to admit they should have thought of it themselves. Because they hadn’t, they were obviously not as creative or smart as they had previously thought, and needed to call in creative experts. Or so their consultants would have them believe. The nine- dot puzzle and the phrase “thinking outside the box” became metaphors for creativity and spread like wildfire in marketing, management, psychology, the creative arts, engineering, and personal improvement circles. There seemed to be no end to the insights that could be offered under the banner of thinking outside the box. Speakers, trainers, training program developers, organizational consultants, and university professors all had much to say about the vast benefits of outside- the- box thinking. It was an appealing and apparently convincing message. Indeed, the concept enjoyed such strong popularity and intuitive appeal that no one bothered to check the facts. No one, that is, before two different research teams—Clarke Burnham with Kenneth Davis, and Joseph Alba with Robert Weisberg—ran another experiment using the same puzzle but a different research procedure. Both teams followed the same protocol of dividing participants into two groups. 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Introduction. Please note that most of these Brand Names are registered Trade Marks, Company Names or otherwise controlled and their inclusion in this index is. Is and in to a was not you i of it the be he his but for are this that by on at they with which she or from had we will have an what been one if would who has her. Get the guaranteed best price on Unpowered PA Speakers like the Yamaha S115V Club Series V Speaker Cabinet at Musician's Friend. Get a low price and free shipping on. Quel ordinateur pour la musique et la MAO en 2. Cette page, créée en juin 2. J'essaie d'y apporter un nouvel éclairage lié aux nombreuses évolutions tant du point de vue matériel que logiciel. Malheureusement, ce nouveau coup de projecteur tombera en désuétude dans les mois à venir. Page révisée en 2. Les indications de marques et modèles qui figurent dans cette page sont données à titre d'information sans aucun but publicitaire. Les marques déposées sont la propriété de leurs propriétaires respectifs. Quel meilleur ordinateur pour faire de la musique ? Le meilleur PC pour faire de la MAO…. Il n'y a pas à proprement parler de meilleur ordinateur pour faire de la musique. Ce qui est important, c'est de prendre en compte les recommandations de l'éditeur du logiciel que vous souhaitez utiliser. Sur les sites des éditeurs ou développeurs, vous trouverez généralement les prérequis pour faire “tourner” le séquenceur. A vrai dire, il n'y a pas un PC pour débuter en MAO. Pour commencer et s'initier à la musique sur ordinateur, il faut de toute façon se fier aux recommandations de puissance/capacité requise pour le logiciel musical que vous souhaitez utiliser (séquenceur MIDI et/ou audio, arrangeur, loopeur, etc.). Faites attention aux mises à jour ("update" ou "upgrade") car celles- ci peuvent nécessiter plus de puissance CPU et/ou plus de mémoire RAM et/ou un disque plus grand ou plus rapide. With all due respect, Professor Boyd, your argument is not at all compelling. It seems that you are taking the "thinking outside the box" (TOTB) metaphor much more. Et dans certains cas un changement d'ordinateur s'imposera, ce qui alourdira la facture…. Choisir son PC pour faire de la MAO : Pour choisir son ordinateur pour faire de la musique, il est préférable d'aller voir ce que préconise l'éditeur du séquenceur audionumérique ainsi que le constructeur de la carte son (interface audio). Il y a des PC qui sont incompatibles car ils ont des chipsets qui gèrent mal les flux de données numériques entre le ou les processeurs, et/ou la mémoire, et/ou les périphériques. L'éditeur peut établir une liste d'ordinateurs éligibles ou bien de machines à éviter. Il peut également dire qu'un modèle particulier n'a pas été testé totalement, sans préciser s'il peut convenir ou pas. Bref, cette démarche vous évitera de découvrir que l'ordinateur et le séquenceur ainsi que l'interface et son pilote ne pourront pas correctement fonctionner ensemble. La mise à jour logicielle de l'ordinateur peut nécessiter une mise à niveau du pilote de l'interface audio (driver). Il faut donc penser aussi à ça…. En savoir plus sur les configurations minimales pour un séquenceur audionumérique…. La grande majorité des éditeurs de séquenceurs et enregistreurs audionumérique — et autres progiciels — précisent les prérequis pour faire fonctionner leur séquenceurs sans problème. Les performances varieront en fonction du nombre de cœurs ainsi que de la fréquence du processeur (CPU), et bien sûr la quantité de mémoire vive (RAM). Ci- dessous je détaille les cinq STAN les plus utilisées ou préférées, suite au sondage effectué sur Audio. Fanzine au mois de mai 2. Les informations ci- dessous ont été collectées en décembre 2. Steinberg Cubase 7. Steinberg est assez évasif concernant la configuration minimale. Sur le site Steinberg (adresse ci_dessous), ils écrivent : « En fonction de l’utilisation que vous avez en tête, vous pouvez vous tourner vers des configurations très différentes. ». Toutefois, ils attirent notre attention sur le Chipset utilisé sur la carte mère : « Le chipset utilisé sur n’importe quel carte mère est l’un des composant les plus important d’un DAW [..] Comme c’est plus une histoire de compatibilité entre tous les composants matériels plutôt que entre applications et hardware, nous vous recommandons de contacter le fabricant de votre carte audio/DSP pour faire votre choix. ». Steinberg botte en touche…http: //www. Steinberg Cubase 7. Mac OS X Version 1. Windows 7/Windows 8*CPU Intel Core Duo. CPU Intel ou AMD Dual Core. Interface audio compatible Core. Audio. Interface audio compatible Windows**2 Go RAM8 Go d'espace disque libre. Résolution d'écran de 1. Lecteur DVD- ROM Dual- Layer. USB- Port pour la clé USB- e. Licenser. Connexion internet pour l'activation de votre licencehttp: //www. Ableton Live 9. x. Ableton semble moins exigeant. C'est plus de l'espace disque qui est nécessaire pour installer les bibliothèques d'échantillons. Ableton Live 9. x. Mac OS X Version 1. Windows XP, Vista, Windows 7 ou Windows 8. CPU Intel multicœur. CPU Intel multicœur. Go RAM3 Go d'espace disque libre. Résolution d'écran de 1. Lecteur de DVD ou connexion Internet haut débit pour l'installation. Bibliothèque de samples. Live 9 Suite. 55 Go d'espace disque libre. Live 9 Standard. 12 Go d'espace disque libre. Live 9 Intro. 6 Go d'espace disque librehttps: //www. Apple Logic Pro X. Logic Pro est uniquement installable sur un ordinateur Apple. Apple Logic Pro XMac OS X 1. Mac, Mac mini, Mac Book, Mac Pro, etc.—4 Go RAM—Au moins 5 Go d'espace disque. Go de contenus en option—http: //www. Cockos Reaper 4. x. Yamaha S1. 15. V Club Series V Speaker Cabinet. Great sound you can afford. The Yamaha S1. 15. V Club Series V Speaker is all about big house sound. Gigging bands, mobile DJs, and houses of worship helped make the first 4 generations of Yamaha Club Series Speakers incredibly popular. The refinements of generation V continue this success story with larger enclosures for improved low- frequency performance, improved drivers for higher power handling, redesigned crossovers, stronger grilles, and dual Speakon and 1/4" connectors. With professional features, excellent sonic performance, and great value, Club Series loudspeakers deliver premium quality night after night. The S1. 15. V 2- way enclosure features a 1. Frequency response: (- 1. B) 5. 5Hz- 1. 6k. Hz. 5. 00. W program handling, 1,0. W peak. Sensitivity: 9. B. 1. 9"W x 2. 8"H x 1. Thinking Outside the Box: A Misguided Idea. Although studying creativity is considered a legitimate scientific discipline nowadays, it is still a very young one. In the early 1. 97. J. P. Guilford was one of the first academic researchers who dared to conduct a study of creativity. One of Guilford’s most famous studies was the nine- dot puzzle. He challenged research subjects to connect all nine dots using just four straight lines without lifting their pencils from the page. Today many people are familiar with this puzzle and its solution. In the 1. 97. 0s, however, very few were even aware of its existence, even though it had been around for almost a century. If you have tried solving this puzzle, you can confirm that your first attempts usually involve sketching lines inside the imaginary square. The correct solution, however, requires you to draw lines that extend beyond the area defined by the dots. At the first stages, all the participants in Guilford’s original study censored their own thinking by limiting the possible solutions to those within the imaginary square (even those who eventually solved the puzzle). Even though they weren’t instructed to restrain themselves from considering such a solution, they were unable to “see” the white space beyond the square’s boundaries. Only 2. 0 percent managed to break out of the illusory confinement and continue their lines in the white space surrounding the dots. The symmetry, the beautiful simplicity of the solution, and the fact that 8. Guilford and the readers of his books to leap to the sweeping conclusion that creativity requires you to go outside the box. The idea went viral (via 1. Overnight, it seemed that creativity gurus everywhere were teaching managers how to think outside the box. Management consultants in the 1. Because the solution is, in hindsight, deceptively simple, clients tended to admit they should have thought of it themselves. Because they hadn’t, they were obviously not as creative or smart as they had previously thought, and needed to call in creative experts. Or so their consultants would have them believe. The nine- dot puzzle and the phrase “thinking outside the box” became metaphors for creativity and spread like wildfire in marketing, management, psychology, the creative arts, engineering, and personal improvement circles. There seemed to be no end to the insights that could be offered under the banner of thinking outside the box. Speakers, trainers, training program developers, organizational consultants, and university professors all had much to say about the vast benefits of outside- the- box thinking. It was an appealing and apparently convincing message. Indeed, the concept enjoyed such strong popularity and intuitive appeal that no one bothered to check the facts. No one, that is, before two different research teams—Clarke Burnham with Kenneth Davis, and Joseph Alba with Robert Weisberg—ran another experiment using the same puzzle but a different research procedure. Both teams followed the same protocol of dividing participants into two groups. The first group was given the same instructions as the participants in Guilford’s experiment. The second group was told that the solution required the lines to be drawn outside the imaginary box bordering the dot array. In other words, the “trick” was revealed in advance. Would you like to guess the percentage of the participants in the second group who solved the puzzle correctly? Most people assume that 6. In fact, only a meager 2. What’s more, in statistical terms, this 5 percent improvement over the subjects of Guilford’s original study is insignificant. In other words, the difference could easily be due to what statisticians call sampling error. Let’s look a little more closely at these surprising results. Solving this problem requires people to literally think outside the box. Yet participants’ performance was not improved even when they were given specific instructions to do so. That is, direct and explicit instructions to think outside the box did not help. That this advice is useless when actually trying to solve a problem involving a real box should effectively have killed off the much widely disseminated—and therefore, much more dangerous—metaphor that out- of- the- box thinking spurs creativity. After all, with one simple yet brilliant experiment, researchers had proven that the conceptual link between thinking outside the box and creativity was a myth. Of course, in real life you won’t find boxes. But you will find numerous situations where a creative breakthrough is staring you in the face. They are much more common than you probably think.*From Inside the Box: A Proven System of Creativity for Breakthrough Results Copyright 2. Tu Mora Sapana Rani Odia Movie Song Songs Mp. Video Download mp. Odia. Dhun. In. Book. Mark Now@ Odia. Dhun. In. Exclusive Artist Mp. Collections. Tu Mora Sapana Rani Odia Movie Song Tu Mora Sapana Rani New Odia Movie Mp. Song , Tu Mora Sapana Rani New Odia Movie Song Download. Related Tags. 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Download Porno HD from Rapidgator Porn. Editor s Note: The following article involves a Mission Viejo High baseball player and comes courtesy of former Los Angeles Times sports writer Larry Stewart: During. This article is about the basketball player. For other people with the same name or similar name, see William Russell disambiguation. William Felton Bill Russell born February 1. The AMA is live! Come join! https://www.reddit.com/r/gaming/comments/7nvzk9/i_quit_my_job_last_year_to_finish_our_indie_wii_u/. Sharing Debugger lets you preview how your content will look when it's shared to Facebook and debug any issues with your Open Graph tags. Top VIdeos. Warning: Invalid argument supplied for foreach() in /srv/users/serverpilot/apps/jujaitaly/public/index.php on line 447. This page contains the list of Accton drivers available for free download. This list is updated weekly, so you can always download a new driver or update driver to. Sulky Velky only $289 w/ FREE Shipping! BRAND NEW Mower sulky / velky for Toro commercial mowers. Buy now and take advantage of our summer savings specials! American retired professional basketball player. Russell played center for the Boston Celtics of the National Basketball Association NBA from 1. A five- time NBA Most Valuable Player and a twelve- time All- Star, Russell was the centerpiece of the Celtics dynasty, winning eleven NBA championships during his thirteen- year career. Along with Henri Richard of the National Hockey League s Montreal Canadiens, Russell holds the record for the most championships won by an athlete in a North American sports league. Before his professional career, Russell led the University of San Francisco to two consecutive NCAA championships 1. He also won a gold medal at the 1. Summer Olympics as captain of the U. S. national basketball team. Russell is widely considered one of the best players in NBA history. He was listed as between 6 ft 9 in 2. Celtics success. He also inspired his teammates to elevate their own defensive play. Russell was equally notable for his rebounding abilities. He led the NBA in rebounds four times, had a dozen consecutive seasons of 1,0. He is one of just two NBA players the other being prominent rival Wilt Chamberlain to have grabbed more than 5. Though never the focal point of the Celtics offense, Russell also scored 1. Playing in the wake of pioneers like Earl Lloyd, Chuck Cooper, and Sweetwater Clifton, Russell was the first African American player to achieve superstar status in the NBA. He also served a three- season 1. Celtics, becoming the first African American NBA coach. For his accomplishments in the Civil Rights Movement on and off the court, Russell was awarded the Presidential Medal of Freedom by Barack Obama in 2. Russell is one of only seven players in history to achieve basketball s Triple Crown - winning an NCAA Championship, an NBA Championship, and an Olympic Gold Medal, 3 and for all of his accolades was inducted into the Naismith Memorial Basketball Hall of Fame and the National Collegiate Basketball Hall of Fame. He was selected into the NBA 2. Anniversary Team in 1. NBA 3. 5th Anniversary Team in 1. Greatest Players in NBA History in 1. In 2. 00. 7, he was enshrined in the FIBA Hall of Fame. In 2. 00. 9, the NBA announced that the NBA Finals Most Valuable Player trophy would be named the Bill Russell NBA Finals Most Valuable Player Award in honor of Russell. Russell–Chamberlain Relations. Racist abuse, controversy and reconciliation. Relationship with Boston fans. Bill Russell was born to Charles Russell and Katie Russell in West Monroe, Louisiana. West Monroe was strictly segregated the way all southern towns and cities were, and the Russells often struggled with racism. Once, Russell s father was refused service at a gas station until the staff had taken care of all the white customers. When his father attempted to leave and find a different station, the attendant stuck a shotgun in his face and threatened to kill him if he didn t stay and wait his turn. At another time, Russell s mother was walking outside in a fancy dress when a policeman accosted her. He told her to go home and remove the dress, which he described as white woman s clothing. Because large numbers of blacks were moving to the West during World War II to look for work there, Russell s father moved the family out of Louisiana when Russell was eight years old and settled them in Oakland, California. While there the family fell into poverty, and Russell spent his childhood living in a series of public housing projects. Charles Russell is described as a stern, hard man who was initially a janitor in a paper factory a typical low paid, intellectually unchallenging Negro Job, as sports journalist John Taylor commented, 6 but later became a trucker when World War II broke out. Being closer to his mother Katie than to his father, 6 Russell received a major emotional blow when she suddenly died when he was 1. His father gave up his trucking job and became a steel worker to be closer to his semi- orphaned children. Russell has stated that his father became his childhood hero, later followed up by Minneapolis Lakers superstar George Mr. Basketball Mikan, whom he met when he was in high school. In his early years, Russell struggled to develop his skills as a basketball player. Although Russell was a good runner and jumper and had large hands, 6 he simply did not understand the game and was cut from the team in junior high school. As a freshman at Mc. 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